Gary Dollner for (“Episode 4"), Fleabag
Justin Krohn for (“Protocol”), Homecoming
Adam Penn for (“Pilot”), Pose
Véronique Barbe, Dominique Champagne, Justin Lachance, Maxime Lahaie, Jai M. Vee & Émile Vallée for (“Cherry”), Sharp Objects
Terilyn A. Shropshire for (“Part 1”), When They See Us
Justin Krohn for (“Protocol”), Homecoming
Adam Penn for (“Pilot”), Pose
Véronique Barbe, Dominique Champagne, Justin Lachance, Maxime Lahaie, Jai M. Vee & Émile Vallée for (“Cherry”), Sharp Objects
Terilyn A. Shropshire for (“Part 1”), When They See Us
AND THE WINNER IS:
VÈRONIQUE BARBE, DOMINIQUE CHAMPAGNE, JUSTIN LACHANCE, MAXIME LAHAIE, JAI M. VEE & ÈMILE VALLEVÈ FOR ("CHERRY"), SHARP OBJECTS
These are the first wins and nominations for Véronique Barbe, Dominique Champagne,Jai M. Vee & Émile Vallée. Justin Lachance & Maxime Lahaie are both nominated for the second time having won previously for Big Little Lies (2017).
Similar to how the cinematography of Sharp Objects was an essential part of it's story telling so to was the editing. As with Vallée's previous television product Big Little Lies the sharp cutting repetitive editing technique effectively worked for this particular narrative. Even more so with this series to quick cuts to establishing flashbacks really amouted in a compelling narrative from the opening montage of the first episode to the cut to black of the season finale. "Cherry" the standout editing episode for me features the wild party Camille and Amma go to. This moment for the series is featured in the clip above and was purely captivating to watch as these two girls moved through a universe while under the influence. The fact that the editing team was of more that a couple editors shows how even with so much creative input a product can be effectively delivered.
These are the first wins and nominations for Véronique Barbe, Dominique Champagne,Jai M. Vee & Émile Vallée. Justin Lachance & Maxime Lahaie are both nominated for the second time having won previously for Big Little Lies (2017).
Similar to how the cinematography of Sharp Objects was an essential part of it's story telling so to was the editing. As with Vallée's previous television product Big Little Lies the sharp cutting repetitive editing technique effectively worked for this particular narrative. Even more so with this series to quick cuts to establishing flashbacks really amouted in a compelling narrative from the opening montage of the first episode to the cut to black of the season finale. "Cherry" the standout editing episode for me features the wild party Camille and Amma go to. This moment for the series is featured in the clip above and was purely captivating to watch as these two girls moved through a universe while under the influence. The fact that the editing team was of more that a couple editors shows how even with so much creative input a product can be effectively delivered.
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